Schubert’s empathy with women is evident in his body of songs, which include songs to, by, about and for women. Devised by Carolyn Sampson and Joseph Middleton, the present recital brings us each of those possibilities and more. The playwright Helmina von Chézy wrote the text to the tender Romanze, intending it for the play Rosamunde, Princess of Cyprus to which Schubert composed incidental music. Another female author, Marianne von Willemer, wrote the two Suleika poems for Goethe, who included them (under his own name) in the collection West-ostlicher Divan. And no less than seven of the other songs on the album are also associated with Goethe, and his characters Mignon (from Wilhelm Meisters Lehrjahre) and Gretchen (from Faust). Schubert was for a while almost obsessed with the mysterious and waif-like Mignon, making several settings of the poems associated with her. Less of an enigma but equally moving, Schubert’s Gretchen sings of awakening desire (Gretchen am Spinnrade) and laments her coming disgrace (G